Joan Jonas is an American visual artist and a pioneer of video and performance art who is one of the most important female artists to emerge in the late 1960s and early 1970s.[1] Jonas' projects and experiments provided the foundation on which much video performance art would be based. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada. From Wikipedia.

Filmography

• 2019Jamaican Fisherman — Director
• 2018Moving Off the Land — Self, Director
• 2015In the Trees — Director
• 2015They Come to Us without a Word [“Wind Sequence” excerpt] — Director
• 2007Shadows/Como — Director
• 2006My New Theater VI: Good Night Good Morning '06 — Director
• 2005Mirror Imrprovisation — Director
• 2004The Shape, the Scent, the Feel of Things — Director
• 2003Waltz — Director
• 1992Revolted by the Thought of Known Places...Sweeney Astray — Director
• 1989Volcano Saga — Woman, Director
• 1988Brooklyn Bridge — Director
• 1984Double Lunar Dogs — Director
• 1983He Saw Her Burning — Director
• 1981Strong Medicine
• 1980Upsidedown and Backwards — Director
• 1976Good Night Good Morning — Director
• 1976I Want to Live in the Country (And Other Romances) — Director
• 1976Mirage — Director
• 1975Keep Busy
• 1974Disturbances — Director
• 1974Merlo — Director
• 1974Mirror Check — Director
• 1973Barking — Director
• 1973Glass Puzzle — Director
• 1973Songdelay — Director
• 1973Two Women — Director
• 1972Duet — Director
• 1972Left Side, Right Side — Director
• 1972Organic Honey's Visual Telepathy — Director
• 1972Vertical Roll — Organic Honey, Director
• 1971Paul Revere — Director
• 1968Wind — Director
• Big Market — Director
• Ice Drawing — Director
• Lines in the Sand
• May Windows — Director
• Waltz — Director

Appearances as themselves (1)

• 1976Regrouping — Self